Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Alma-Tadema, Sir Lawrence
Phidias Showing the Frieze of the Parthenon to his Friends (mk23)

ID: 22905

Alma-Tadema, Sir Lawrence Phidias Showing the Frieze of the Parthenon to his Friends (mk23)
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Alma-Tadema, Sir Lawrence Phidias Showing the Frieze of the Parthenon to his Friends (mk23)


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Alma-Tadema, Sir Lawrence

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.  Related Paintings of Alma-Tadema, Sir Lawrence :. | An Apodyterium (mk23) | Caracalla (mk23) | The Siesta (mk23) | The Roman Potters in Britain (mk23) | Coign of Vantage (mk23) |
Related Artists:
Adolph Tiedeman
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gruber
Francis Gruber (1912-1948) was a French painter and founder of the Nouveau R??alisme school. Self-portrait 1942He was born in Nancy, the son of stained glass artist Jacques Gruber. He first exhibited at the age of 18. While other artists were becoming more and more abstract, he preferred to paint human figures that were highly sculpted. He was influenced by Hieronymus Bosch and Albrecht D??rer and the Lorraine engraver Jacques Callot. He became friends with the Swiss artist Alberto Giacometti.
Stefano Magnasco
Italian, born circa Genoa 1635-1665






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